05-13-2018, 07:14 AM
Also on Indiewire you have a little interview with Nicola Pecorini about his choices for the image of the film : http://www.indiewire.com/2018/05/cannes-...1960977/2/
I must admit I'm really curious to see Gilliam working with real anamorphic scope for the first time ; in the trailer, for example, you can see some flares you wouldn't have seen in Gilliam's previous work. Also I feel that the frame is somehow less "clogged up".
I must admit I'm really curious to see Gilliam working with real anamorphic scope for the first time ; in the trailer, for example, you can see some flares you wouldn't have seen in Gilliam's previous work. Also I feel that the frame is somehow less "clogged up".